There’s a wrong idea about the end of suffering. Probably wrong. I mean, maybe some people don’t suffer. I don’t know anybody like that.
Spiritual suffering is unnecessary, though. I have the recipe for eliminating it, and it works.
An audio recording of my long answer to a question, in a 2021 live video Q&A session organized by Frideswith. (Thanks Jess!)
Monthly Q&As
I’m doing Q&As like this monthly now. I don’t usually go on at such length! The next one is Saturday, September 21st, at 10:30 a.m. Eastern / 7:30 a.m. Pacific.
Links
Web links for some topics mentioned:
The “complete stance” acknowledges the inseparability of nebulosity and pattern. It’s formally analogous to some Buddhist conceptions of enlightenment, in which you recognize emptiness and form simultaneously.
Meaningness: the book. It’s free online, only about 20% written, and apparently useful in its current form.
Vividness, my take on Vajrayana Buddhism
Ngak’chang Rinpoche and Khandro Dechen
“Meeting Naropa’s Dakini”: an improbable story, on my site Buddhism for Vampires, that is as true as I could make it. In the audio, I misremember the title as “Meeting Tilopa’s Dakini”; she appeared to both Tilopa and Naropa (as well as to me).
Marpa, founder of the Kagyü School of Tibetan Buddhism
The charnel ground and the Pure Land. In the recording, I refer to the Pure Land as “the god realm,” which is inaccurate. In some versions of Buddhism they’re more-or-less the same thing, but not in Vajrayana.
“Misunderstanding Meaningness Makes Many Miserable”: In the recording, I say that Meaningness does not address suffering in general, only spiritual suffering specifically. This web page explains that briefly.
The book offers a method for ending what could be called existential, cosmic, or spiritual suffering. The whole book explains the method, with periodic, increasingly difficult summaries. The first is “Accepting nebulosity resolves confusions about meaning.”
“The novel that I wrote the first quarter of” is The Vetali’s Gift. It’s now about 40% done, and free online. Maybe I will finish it before I die.
The scene in which “the hero’s girlfriend is dying horribly” is “Love and Death.”
Transcript
Jess: What does it look like to feel shock, despair, et cetera, and still maintain the complete stance?
David: Right. I can give a Buddhist answer to this and I can give a Meaningness book answer to it. There’s a connection, and they’re also not the same thing. So you’ll get some sense of that, maybe, out of my two different answers.
So, some versions of Buddhism make a big deal out of suffering and say that Buddhism has the answer to suffering, and that if you do Buddhism right, then you won’t suffer. That might be true; I don’t know. I’m pretty skeptical. In the traditions that I’ve practiced Buddhism in, that’s not really the line. And my experience— I don’t have an experience of not suffering. I would say that meditating and practicing Buddhism does seem to lessen suffering and it changes your relationship with it.
I’ll tell a couple of stories that are relevant, and then do a theoretical thing.
So, my former teachers, Ngak’chang Rinpoche and Khandro Dechen, about 10 years ago their sixteen year old son got tongue cancer, which is a really unusual thing.
His tongue was surgically removed, which was horrifying. Unfortunately, they didn’t catch it early enough, and it metastasized, and he died slowly over the next nine months or so.
I wasn’t there for this, so this is second hand; but what people who I know well said about what they observed was that Ngak’chang Rinpoche and Khandro Déchen were obviously devastated. And that it was as horrifying for them as it would be for anyone. And at the same time that there was a clarity and spaciousness and acceptance in the way that they dealt with the situation, practically and also with their own suffering, that seemed extremely unusual.
They’re as much a candidate for enlightenment as anybody that I have known personally. And I don’t think they didn’t suffer.
This echoes a story. The most recent thing I wrote was called “Meeting Tilopa’s Dakini,” which is about a story of the founding of the most important lineage of Tibetan Buddhism, the Kagyü lineage. The lineage chant, it begins: “Great Vajradhara, Tilo, Naro, Marpa, Mila, Lord of Dharma Gampopa,” et cetera, et cetera. There’s Tilo, Naro-pa, Marpa. My story was about Tilopa and Naropa. Naropa was the one who met the dakini, who I met in a Starbucks in San Francisco 1300 years later. His primary student was a Tibetan named Marpa. Marpa founded this most important branch of— politically most important branch of Tibetan Buddhism. (It’s not the one that I primarily practice.)
Marpa, when he was in his fifties, his son, who was about thirty, died of some illness, and his son was going to be his successor, carry on the lineage. Instead, the chant goes, Marpa, Mila; Milarepa was the continuation of the lineage.
When his son died, Marpa spent weeks being miserable and crying and wailing and making a big fuss and being miserable. And people said, “Oh, Marpa, we thought you were enlightened. Why are you miserable? You’re supposed to have gone beyond suffering!”
I think his answer was basically “fuck off!” I can’t remember. You know, there’s some sort of a story about what he said. But again, the point is, he’s regarded as one of the most enlightened people in Tibetan history. So, your son dies, you’re going to be miserable for a few weeks!
And it’d be, you know, if enlightenment meant that your son dies horribly and you say, “Oh, okay, whatever. You know, what’s for lunch?” It would seem like there was something wrong, actually.
So, I think there’s a wrong idea of the end of suffering. Probably wrong. I mean, you know, maybe some people don’t suffer. I don’t know anybody like that.
On the other hand, there’s this sense, that Ngak’chang Rinpoche and Khandro Déchen apparently manifested, of having space around the suffering, having clarity about the suffering, and not inflicting that suffering on everybody else. Meditation seems to tend to do that for you, just kind of automatically; but there are specific practices that are relevant to that.
One that I’ve written about is a pair of practices. They’re written about as separate practices, but I recommend taking them together, which is the charnel ground and the god realm. And the charnel ground is the practice of viewing all experience as an absolute nightmare. And if you see everything as an absolute nightmare, an extremely claustrophobic situation in which you can’t escape horror, that can open out into a sense of freedom in the middle of a nightmare, because there is no hope of escape.
It’s the sense that somehow what is happening is wrong, and it shouldn’t be like this, and if things were different, and blah, blah, blah, blah. That line of thinking is not helpful. It’s extremely natural, I do it all the time; but to the extent that you can let go of that kind of thinking, that’s a productive way of dealing with negative valence.
The paired practice is the god realm, which is one of seeing everything as perfect just as it is. That reality can’t be improved upon, and that the seemingly horrifying aspects of experience are actually— There is a kind of crystalline perfection to things playing out the way that they do, however that is.
Neither of these are a Truth, but as a way of seeing, they can be helpful ways of dealing with experience.
So that’s a Buddhist answer. The Meaningness answer is related, although not so colorful.
First of all, the Meaningness book explicitly doesn’t try to address most forms of suffering. It’s only addressing kinds of suffering that are caused by misunderstandings of meaning.
The kinds of suffering that it addresses are ones where we make things mean something extra on top of whatever they naturally do. Suffering is naturally meaningful to us; that’s just how human beings are. It’s the addition of cosmic meaning, or spiritual meaning, on top of the suffering, that makes it worse than it really needs to be. And the practices in that book are ones of talking yourself out of adding on those extra things that aren’t necessary.
So these are two takes on the same approach, but very different flavor.
When my sister was dying— she had metastatic cancer also— I was sitting at her hospital bed, and there was blood pouring out of her mouth, because when you’re in the late stages of cancer, your gums bleed.
And, there’s this scene, in the novel that I wrote the first quarter of, where the hero’s girlfriend is dying horribly, and there’s blood pouring out of her mouth. And I, you know, I was sitting there with my sister, and blood was pouring out of her mouth. H. P. Lovecraft, a master of writing horror fiction, said the problem with writing horror fiction is that the things you wrote about start coming true.
And I was watching my sister dying, and I thought, “Oh! This is the scene that I wrote five years ago in my novel. This is really funny!” And, being willing to let go of the meaning of “This is how I’m supposed to feel about watching my sister die,” and being willing to say, “Oh, watching my sister die, this is really funny!” — that sort of humor in the face of horror. And you also can feel wonder and joy at the same time as, “Oh my god, there’s blood pouring out of my sister’s mouth!” So that was the first thing.
And then the second thing is, being willing to feel whatever the negative emotion is clearly doesn’t necessarily— it doesn’t make it any less negative, inherently. It may make it more acute. But again, not adding extra stuff on allows you to feel it more clearly. And there is a transformational value in that clarity of negative emotion. When we add extra meaning on top of negative emotion, it blurs and blunts it— which can be a coping strategy that is valuable when it’s overwhelming and more than we can deal with. But just feeling whatever the sadness or pain or horror is, as straightforwardly as possible, can change the way you relate with the negativity in a positive way.
A more interesting question is whether you can actually eliminate spiritual suffering. I think the answer to that is yes, because I think I have done that. I’m prone to depression and I suffer in lots of ways. The kinds of questions and problems that the book is about I found agonizing in my twenties, maybe my thirties. And I just don’t have any trouble with those anymore. So, I could be fooling myself in some way, but I think it probably actually does work.
Depression is a not-very-good way of dealing with suffering. It’s a tempting way, because it works somewhat. It’s a way of dulling yourself to the pain. And then, you know, you don’t feel the pain so much, but it’s not, it’s not actually a good way to be. It’s one of my typical ways of dealing with pain and trying to dull it. There’s lots of other ways that are not-good ways of dealing with pain. Drinking a lot, for example. If you drink a lot, it actually kind of works. Or if you overeat, it actually kind of works. But these are not good ways of dealing with pain. Depression is another not-good way of dealing with pain.
Depression is a way of dealing with any kind of emotion that’s too intense, by just turning the master volume knob on your existence down, and slowing everything down and muting everything. And the problem is, you can’t mute the bad stuff without muting the good stuff. So you wind up in a space where everything is gray. And then the gray gets to be darker and darker gray.
And then somehow you have to pull yourself out of that by finding some little bits of color and you have to be willing to let those in. You say “Yeah, everything is horrible, but I do like blueberry jam, and I’m enjoying this blueberry jam on toast.” And that just admits a little bit of light, and when you’re depressed, you don’t want to do that! You want to just cut everything off and say everything is uniformly bad. If you’re willing to let a little bit of light in, then you can work your way out of the depressive spiral.
I’m sorry, that was an incredibly long answer to a very simple question. If I answered all the questions with a half hour long rant about things that happened thirteen hundred years ago, we probably wouldn’t get very far.
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